In lieu of an abstract, here is a brief excerpt of the content:278 HISTORY OF PHILOSOPHY What a revolution the past century has made in both the general idea of morality andin the practical attitudes of "moral sense"l The political and moral earthquakes that have cracked the solid ground of Wayland's "moral law" and "didactic" complacency have blown us all into a space whose air may be purer but whose endless visibility into the dark void is less assuring. HERBERT W. (...) SCHNEIDER Claremont, California Le Pluralisme Dramatique de Georges Sorel. By Georges Goriely. (Paris: Marcel Rivi~re et Cie, 1962. 244 pp. Price not given.) Professor Georges Goriely of the Free University of Brussels has made one more valiant attempt to rescue Sorel the thinker from the reputation fastened upon him by the title of his Rdflexions sur la Violence in 1906. For most readers he has been the author of that one book, which is seldom read in the light of his other works. It is significant that Goriely reaches it only upon his page 199, barely twenty pages before his study terminates. Also worthy of note is the fact that of the over one hundred critical books and articles about Sorel which are listed in his bibliography, only two are in English: Richard Humphrey's Georges Sorel: Prophet Without Honor (1954) and James M. Meisel's The Genesis of Georges Sorel (1951). In European discussions Sorel frequently shares the company of such names as Croce, Bergson, and Nietzsche. But in the Anglo-Saxon world he has had in general a bad press, or none at all. A far-from-systematic philosopher, his writings, most of them originally articles composed in the heat of European controversies, have seemed remote from transatIantic concerns. He has been reputed "the father of syndicalism" in a country where the adjective most often applied to syndicalism is "criminal." When Mussolini proclaimed at one time that the R~flexions was his favorite bedside book, Sorel seemed to add the paternity of Fascism to his list. All that was needed to complete his damnation by labels was the dread word "anti-intellectual," and that has been freely applied to him. Nevertheless, Professor Goriely finds it possible to take Sorel's ideas seriously, quite apart from the political misuses which have been made of them. He sees that Sorel was primarily a pragmatic moralist immersed in his times and intent upon finding some way to bring about a European ricorso, a rejuvenation of classic republican ethics. At the turn of the century he saw only mediocrity and decadence: democracy had become demagogy, and industrial capitalism a mess of corruption. Sorel's great search was for a moral lever, for something dynamic, some source of energy in men which could be tapped in order to restore virtue and dignity and morale in the common man. Being imbued with historical relativism, and played upon by vigorous and contradictory influences (Vico, Marx, Bergson, Nietzsche, P~guy), Sorel steadily revised his views. It is that fact which gives his contradiction-filled philosophy the character of a "dramatic pluralism." Of one thing, however, Sorel was always convinced: intellect alone could not re-invigorate European ethics. The feelings must be stirred by something which, as early as 1894, he called a "myth." He had no use for rationally planned utopias operated by savants in the manner of Saint-Simon or Comte (whom he constantly attacked). He groped for a moving, even an "infinite" goal to be generated from history by the creative activity of men, such as the famous "general strike." A Norman like Alexis de Tocqueville, his roots were in a mixed liberal-republican aristocracy on the classic model, calling for large numbers of "social heroes" adapted to the industrial age. This r corps has nothing in common with the BOOK REVIEWS 279 shirted gangsters of the totalitarian regimes. Only gradually did Sorel come to seek his paragons of virtue among the proletariat, partly because of his disillusionment with Jean Jaur~s over the Dreyfus case. Sorel had been one of the first to champion Dreyfus, but felt that demagogues had transformed the latter's cause into a new dogmatism and a new establishment. Sorel was genuinely concerned about some of the... (shrink)